I like to think about this publication as a shelter that houses the latest developments of my practice.
What happens when an object lands in a museum? How does it react to being seated, still and catalogued? How much does it get informed by those who write the history?
Edition: 30 (signed and numbered)
Curated by Luca Panaro
Winner of the Dummy PhotoBook Prize, Palazzo Rasponi 2, Ravenna, IT